Walker, Taylor, and Carr: The Men behind Nashville’s African American Parks and Cemeteries

by Kathy B. Lauder.

Although City Cemetery, Nashville’s first public burial ground (1822) accepted people of all races from the beginning, the rise of the “Jim Crow” South after the Civil War compelled African Americans to look elsewhere for a final resting place. In 1869 black businessman Nelson Walker and the Colored Benevolent Society bought land for Mt. Ararat Cemetery near the Elm Hill-Murfreesboro Pike intersection, directly behind today’s Purity Dairy plant. Walker (1825-1875), a barber at the Maxwell House, became an important figure in African American politics after the Civil War. Elected president of the first State Colored Men’s Convention (August 1865), he was active in the Masonic Order, the Sons of Relief, and the State Colored Emigration Board. Largely self-educated, he became a practicing attorney and later a Davidson County magistrate. An outspoken supporter of the public schools, Walker encouraged his seven children to become well educated – his daughter Virginia was a member of Fisk University’s first graduating class in 1875.

·         The Maxwell House Hotel, built between 1859 and 1869, was partially completed in 1862, when the occupying Federal forces used it as a hospital, a prison, and barracks for Union soldiers. (In 1863 over 100 Confederate soldiers fell five stories when a staircase collapsed, killing up to 45 men and injuring many more.) Maxwell House coffee, introduced by Nashville’s Cheek family, was served in the hotel dining room. The building was destroyed by fire on Christmas night 1961.

When Mt. Ararat burial plots went on sale in May 1869, church leaders urged their parishioners to purchase them. Mt. Ararat received considerable media attention in 1890 when Reverend Nelson Merry’s remains were reinterred there from City Cemetery, and again in 1892, after three heroic African American firemen lost their lives fighting a devastating fire in downtown Nashville. The day of their burial was declared a city-wide day of mourning, and the procession leading from their funeral ceremony at the Capitol to the cemetery was said to be over a mile long. Mt. Ararat (now Greenwood West) became part of the Greenwood Cemetery complex in 1982.

Another key figure in Nashville history was the Reverend Preston Taylor (1849-1931). Born into slavery, he served as a Union Army drummer boy when he was a young teenager. While still in his 20s he founded a Mt. Sterling, Kentucky, church, attracting the largest congregation in the state during his fifteen years there, while also working as a contractor to build several sections of the Big Sandy Railroad. After moving to Nashville, he preached at the Gay Street Christian church and also joined the Masons and the IOOF, holding state offices in both organizations.

Rev. Preston Taylor

As the 19th century ended, Preston Taylor committed himself to improving the social and economic condition of Nashville’s black community. Already well known as a local religious leader and businessman, he opened the city’s first African American mortuary, the Taylor Funeral Company, in 1888, the same year he and three others came together to purchase land for a “first class burial space . . . available at cost” for African American families. After his partners backed out of the project, Taylor alone funded the purchase of a 37-acre site on Elm Hill Pike and Spence Lane, near Buttermilk Ridge (so-called because of the scattering of dairy farms along the big S-curve on Lebanon Road east of Spence). Greenwood Cemetery, still in operation today, opened in 1888. Preston Taylor’s will deeded the cemetery to the Disciples of Christ religious organization, who continue to operate the facility (now merged with Mt. Ararat/ Greenwood West) as a non-profit enterprise. Preston Taylor is buried beneath a striking monument near the entrance to Greenwood. He was also involved in establishing the Lea Avenue Christian Church, the National Colored Christian Missionary Convention, the One Cent Bank (now Citizens Savings & Trust), and Tennessee State A&I Normal School (now Tennessee State University).

Preston Taylor’s monument in Greenwood Cemetery. (photo from NHN collection)

Jim Crow laws barred African Americans not only from cemeteries but also from many entertainment venues. However, in 1905 Preston Taylor responded to these restrictions by opening Greenwood Park north of the cemetery on the large unused portion of his original 37-acre land purchase. The park’s entrance stood just west of the intersection of Lebanon Road and Spence Lane. The first recreational park for Nashville’s black community, its attractions included a merry-go-round, a roller coaster, a shooting gallery, and a skating rink. Visitors could attend events at a baseball park, a bandstand, or a theatre, and if they were hungry, they could eat at a barbecue stand, a lunchroom, or a well-maintained picnic area. The area was spacious enough to include a Boy Scout camp, a racetrack, and a zoo, and it was home to the Colored State Fair, as well as other popular annual celebrations on Labor Day and July 4th. The Barbers’ Union, Masonic Lodges, and USCT veterans scheduled special events in the park. Taylor, who actually lived on the grounds, banned fighting, drinking, or cursing by Greenwood visitors and required them to dress appropriately. When white neighbors complained about Greenwood and its attendant congestion, only Ben Carr’s last-minute appeal to Governor Patterson rescued the park from ruinous legislation. In 1910 a suspicious fire destroyed Greenwood’s large grandstand, but no one was ever charged with the crime. Preston Taylor died in 1931, but the park survived until 1949, superintended by Taylor’s widow.

The Taylor home in Greenwood Park. (photo courtesy of Peggy Dillard)

Benjamin J. Carr (1875-1935) was another remarkable Tennessean, whose concern for his fellow black citizens resulted in the creation of both a second park and a notable educational institution. Born into poverty, Carr grew up working on farms in Trousdale County, Tennessee. He carefully set aside most of his meager earnings (50¢ per day) to purchase his own farm. In time, the frugal young man was able to pay off his mortgage with income from his tobacco crop. Shortly before 1900 Carr came to Nashville, where he was elected porter for the state Supreme Court and became an unexpected friend and ally of Governor Malcolm Patterson (1907-1911), who sent Carr on a lecture tour throughout Middle Tennessee to educate and inspire black farmers. Carr headed the citizens’ organization that brought the Tennessee Agricultural & Industrial State Normal School (Tennessee A&I, known today as Tennessee State University) to Nashville, and he was the school’s first agriculture teacher. He was also the driving force behind the city’s purchase of 34 acres near the college for use as a municipal park. When Mayor Hilary Howse dedicated Nashville’s Hadley Park in 1912, it became the first public park for African Americans in the entire nation.

Ben Carr (TSLA photo from Calvert Collection)

The name given to Hadley Park is still a matter of some dispute. When Major Eugene C. Lewis (chairman of the Nashville, Chattanooga, & St. Louis Railway and director-general of the 1897 Tennessee Centennial Exposition) named the park, many assumed the title was a tribute to John L. Hadley, a white slave owner whose home plantation became the site of Tennessee State University. However, Lewis may have intended instead to honor Dr. W. A. Hadley (1850-1901), a physician-educator with whom he had worked closely during the Centennial Exposition, and for whom the Hadley School was named. A graduate of Meharry Medical College, Dr. Hadley had taught briefly in Davidson County schools before opening his medical practice. In 1880 he was elected secretary of the newly formed State Medical Association, and in 1883 he was chosen as a delegate to the National Convention of Colored Men at Louisville. He founded the Independent Order of the Immaculates and served on the executive committee (with Major E. C. Lewis) of the 1897 Centennial. After practicing medicine for several years, Hadley returned to teaching. At the time of his death, he was principal of Carter Public School in Nashville.



Adapted from the Greenwood Project.

The Robertson Monument: From Exposition Capstone to Centennial Park Monolith

by Ilene Jones Cornwell.

 April 24, 2003, marks the 223rd anniversary of the historical founding of Nashville. On that well-known date in 1780, John Donelson’s flotilla of about 30 flatboats and several pirogues completed the 1006-mile voyage via four rivers to the French Lick’s almost-completed log central station. Here the travelers joined James Robertson’s overland settlement party that had traveled into the western North Carolina frontier to cross the frozen Cumberland River on Christmas Day 1779 to establish an outpost of civilization. This two-prong settlement of Nashville was described by Theodore Roosevelt in Winning of the West as “being equal in importance to the settlement of Jamestown or the landing at Plymouth Rock.”

Not as well known is that this year also marks the 100th anniversary of the October 11, 1903, dedication of the Robertson Monument in Centennial Park. The monument’s towering 50-foot granite shaft is actually seven years older than its year of dedication, and the story of the monument’s creation in Nashville’s first public park is nearly as interesting as the Robertson pioneers it memorializes.

Photograph adapted from General James Robertson: Father of Tennessee by Thomas Edwin Matthews (Nashville: The Parthenon Press, 1934)

The monument’s existence is due to the energy, dedication, and vision of Nashville’s Major Eugene C. Lewis (1845-1917), owner of the Nashville American newspaper and a consulting civil engineer. It was Lewis’ friend, local architect William C. Smith, who suggested in a late-1893 speech to Nashville’s Commercial Club that “a spectacular Tennessee Centennial be held to alleviate financial distress and to divert the attention of the people” from the long and severe depression that had engulfed America after the Panic of ’93. Before the depression, according to W. F. Creighton in Building of Nashville, local attorney Douglas Anderson had suggested in local newspapers that a celebration be held in Nashville to celebrate the centenary of Tennessee’s 1796 statehood. Although Anderson’s earlier suggestion had evoked favorable public response, no action was taken until Smith renewed interest in the project. The Nashville Tennessee Centennial Exposition Company was formed and by the summer of 1895 was beginning to acquire financial support for the event. John W. Thomas, president of the Nashville, Chattanooga and St. Louis Railroad, served as president of the Centennial Company and chairman of the executive committee of the Exposition, and Major E. C. Lewis was named director general. The site selected for the Exposition was the West Side Race Track and Park, located on the old fairgrounds surrounding the historic Cockrill Springs area at the end of Church Street and the terminus of the West End Avenue streetcar line. The first Tennessee State Fair had been staged on the site in 1869, with subsequent fairs held in 1873, 1879, and 1884.

The Centennial Exposition, held May 1 through October 30, 1897, was “essentially a fair on a grand scale,” wrote A. W. Crouch and H. D. Claybrook in Our Ancestors Were Engineers. Attractions included 12 large buildings featuring exhibits on the commercial, industrial, agricultural, and educational interests of the state; a “midway” including Egyptian, Cuban, and Chinese villages; a “Giant See-saw” designed by local engineer and steel fabricator Arthur J. Dyer; Venetian gondoliers on newly created Lake Watauga; a Venetian Rialto bridge designed by local architect C. A. Asmus; parades and “sham battles” by the Tennessee Militia; fireworks and other entertainment; and a 250-foot flag staff designed by E. C. Lewis. Major Lewis also had conceived the idea to create a replica of the 5th-century B. C. Athenian Parthenon to house the art exhibit, then commissioned local architect W. C. Smith to make the needed drawings. (The Parthenon, built during 1895-1897, and the city park board’s 1920 decision to have it rebuilt as a permanent structure is a story unto itself.)

Among the exhibits featured at the Exposition’s Mineral and Forestry Building was a towering, 50-foot granite shaft. The impressive monolith is attributed to the “Barry Vermont Granite Quarries” by Creighton in Building of Nashville, but Leland Johnson wrote in The Parks of Nashville that the “granite shaft was quarried at Stone Mountain, Georgia, by Venerable Brothers of Atlanta and shipped to Nashville for display during the 1897 Centennial Exposition. Oral tradition says a portion of the shaft broke off during transit to Nashville.” The shaft’s original flat-stone base remains today on the west bank of Lake Watauga and bears a metal plate commemorating the Centennial Exposition.

After the Exposition closed, all buildings except the Parthenon were torn down and removed. The success of the Exposition, as well as the progressive movement of the late 19th Century to establish public parks, planted the seed for Nashville’s park system. In 1901 Mayor James Head appointed five men, one of whom was Major E. C. Lewis, to the new Board of Park Commissioners. Negotiations were begun by the city in early 1902 with the owners of the 72-acre Centennial Park to purchase the land for a permanent city park. After months of complicated offers and counter-offers, described in The Parks of Nashville, Nashville Railway and Light Company purchased Centennial Park and its title was presented to the city park board on December 22, 1902.

On January 13, 1903, Major Lewis addressed the Tennessee Historical Society on the subject of James Robertson. He began his speech by informing the assembled members of “a fortunate circumstance that transpired only a few days ago. . . .For the first time in all its history, Nashville has park ground worthy of the Capital of Tennessee. The title to the Centennial Grounds, upon which the city has already contributed a large sum of money toward the adornment thereof, is now in the city of Nashville. The Park Commission. . .has so far determined upon but one measure, and that, the erection in Centennial Park of a monument [for] James Robertson, the founder of Nashville.” He concluded his lengthy profile of Robertson by asking, “What have we of Nashville done to honor this man’s memory? Has even the memory of all the good Robertson did been interred with his bones?. . .Are we a grateful people?”

Major Lewis had made prescient provisions to answer his own questions. When negotiations had begun to purchase the Centennial land, he purchased the 50-foot granite shaft for $200, then his fellow-commissioner Samuel A. Champion “resolved that it be erected in the park as a monument to the memory of James Robertson.” Lewis also purchased the flat-stone base for $10 in 1903 to remain beside Lake Watauga as a memorial to the Centennial Exposition. A new granite base was needed to support the heavy shaft after its relocation, but no record has yet been found of the base’s creator or its procurement. Wherever the massive base originated, Johnson described the monument’s creation in The Parks of Nashville: “With a tripod made of three large oak logs and block and tackle, Major Lewis raised the shaft into position and then constructed the foundation beneath it.” The granite shaft and its base weigh a total of 52.5 tons. Text is inscribed on a plaque on each side of the monument:

North Side Text:  “James Robertson/Born in Brunswick County, Virginia, June 28, 1742.  Moved to North Carolina in 1750.  Came to Tennessee in 1769.  Settled Nashville in 1780.  Died in Tennessee Sept. 1, 1814.  Reinterred in the City Cemetery at Nashville, 1825, under authority of the Tennessee Legislature.”

East Side Text:  “Charlotte Reeves/Wife of James Robertson/Born in North Carolina, Jan. 2, 1751.  Married to James Robertson, 1768.  Died in Nashville, Jun. 11, 1843.  Buried in the City Cemetery.  Mother of the first male child born at Nashville.  She participated in the deeds and dangers of her illustrious husband: won honors of her own and along his path of destiny cast a leading light of loyalty, intelligence, and devotion.”

South Side Text:  “A worthy citizen of both Virginia and North Carolina.  Pioneer, patriot, and patriarch in Tennessee.  Diplomat, Indian fighter, maker of memorable history.  Director of the movement of the settlers requiring that hazardous and heroic journey so successfully achieved from Watauga to the Cumberland.  Founder of Nashville.  Brigadier-General of the United States Army.  Agent of the Government to the Chickasaw Nation.  He was earnest, taciturn, self-contained, and had that quiet consciousness of power usually seen in born leaders of men.  ‘He had winning ways and made no fuss.’ (Oconnostota)  He had what was of value beyond price–a love of virtue, an intrepid soul, an emulous desire for honest fame.  He possessed to an eminent degree the confidence, esteem, and veneration of all his contemporaries.  His worth and services in peace and war are gratefully remembered.  Amiable in private life, wise in council, vigilant in camp, courageous in battle, strong in adversity, generous in victory, revered in death.” 

West Side Text:  “James Robertson/Founder of Nashville/’We are the advance guard of civilization.  Our way is across the Continent.'”  Robertson—1779

The monument to James and Charlotte Reeves Robertson was presented to the city of Nashville on October 11, 1903, by Major E. C. Lewis on behalf of the Park Commission.  About 100 Robertson descendants from all over the United States and one foreign country attended the ceremony in Centennial Park, according to Sarah F. Kelley in Children of Nashville.  Three-year-old Dickson Wharton Robertson, descended through Dr. Peyton Robertson, was dressed in Scottish-plaid kilts and pulled the string to unveil the towering monument honoring his great-great-grandfather.  Among those offering memorial tributes to Nashville’s founder were Governor James B. Frazier and Mayor James Head.

“History often repeats itself,” wrote Kelley.  “On June 28, 1972, the descendants of James Robertson gathered once again in Nashville to celebrate Tennessee’s ‘James Robertson Day’ proclaimed by Governor Winfield Dunn.”  Among the descendants gathered around the Robertson Monument in Centennial Park was the same Dickson Wharton Robertson who had participated in the monument’s unveiling 69 years earlier.

As the Robertson Monument approaches its centenary, the 107-year-old shaft has weathered well, as have the 100-year-old base and four bronze plaques.  Attesting to the passage of a century is that the massive base appears to have sunk several feet into the earth since 1903. Without measured drawings to provide dimensions of the original base, however, a definitive conclusion cannot be made. Thus we celebrate the founding of Nashville with the hope that Centennial Park’s terra firma will continue to support the city’s monument to its founder, so that future Nashvillians may enjoy a bicentennial celebration of the Robertson Monument.


SOURCES:

Winning of the West, Volume II: From the Alleghanies to the Mississippi, 1777-1783, by Theodore Roosevelt (New York: G. P. Putnam’s Sons, 1889).

Tennessee Old and New, Sesquicentennial Edition, 1796-1946, Volumes I and II (Nashville: Tennessee Historical Commission and Tennessee Historical Society, 1946).

Seedtime on the Cumberland, by Harriette Simpson Arnow (New York: The Macmillian Company, 1960).

Building of Nashville, by Wilbur Foster Creighton; revised and enlarged by Wilbur F. Creighton, Jr., and Leland R. Johnson (Nashville: Wilbur F. Creighton, Jr., and Elizabeth Creighton Schumann, 1969).

Children of Nashville: Lineages of James Robertson, by Sarah Foster Kelley (Nashville: Blue and Gray Press, 1973).

Our Ancestors Were Engineers, by Arthur Weir Crouch and Harry Dixon Claybrook (Nashville: Nashville Section of American Society of Civil Engineers, 1976).

The Parks of Nashville: A History of the Board of Parks and Recreation, by Leland R. Johnson (Nashville: Metropolitan Nashville and Davidson County Board of Parks and Recreation, 1986).

Andrew Jackson Slept Here: A Guide to Historical Markers in Nashville and Davidson County (Nashville: Metropolitan Historical Commission of Nashville and Davidson County, 1993).